lizziegoneastray:

gently-wafting-curtains:

buzzfeedanimals:

Meet the comfort dogs, a team of five golden retrievers that are dispatched to different areas in the aftermath of a tragedy. They’re currently in Boston visiting victims of Monday’s marathon attack. 

Shit where did these cut onions come from

<sniffle>

I’ve heard of them before.  They went to Newtown, too.

punchpolygons:

A poster and labour of love for my favourite on-going comic title right now!

punchpolygons:

A poster and labour of love for my favourite on-going comic title right now!

wolveswolves:

By Anthony Chiffolo 

wolveswolves:

By Anthony Chiffolo 

pinoy-culture:

Traditional Weapons from the Philippines
The Kampilan

The kampílan is a type of single-edged long sword, used as a traditional blade throughout the Philippine archipelago

The kampílan has a distinct profile, with the tapered blade being much broader and thinner at the point than at its base, sometimes with a protruding spikelet along the flat side of the tip and a bifurcated hilt which is believed to represent a mythical creature’s open mouth.

The Maguindanao and the Maranao of mainland Mindanao preferred this weapon as opposed to the Tausūg of Sulu who favoured the barung. The Kapampangan name of the Kampilan was “Talibong” and the hilt on the Talibong represented the dragon Naga, however the creature represented varies between different ethnic groups. Its use by the Illocanos have also been seen in various ancient records.

A notable wielder of the kampílan was Datu Lapu-Lapu (the king of Mactan) and his warriors, who defeated the Spaniards and killed Portuguese explorer Ferdinand Magellan at the Battle of Mactan on April 27, 1521.

The mention of the kampílan in ancient Filipino epics originating from other non-Muslim areas such as the Hiligaynon Hinilawod and the Ilocano Biag ni Lam-Ang is possible evidence for the sword’s widespread usage throughout the archipelago during the ancient times. Today, the kampílan is portrayed in Filipino art and ancient tradition.

Among Filipino swords, the most distinguishing characteristic of the Kampilan is its huge size. At about 36 to 40 inches (90 to 100 cm) long, it is much larger than other Filipino swords, and is thought to be the longest,though smaller versions (sometimes called the kampilan bolo) exist. A notable exception would be the panabas, another Philippine longsword, of which an unusually large example could measure up to four feet in length.

Related to the klewang, the blade is narrow near the hilt and it gradually swells in width into an almost trapezoidal profile at the end. The blades are often laminated with various styles of tip. Kampílan blades often have holes near the tip that are sometimes filled with brass. Rarer still are specimens that have tips exhibiting a kris-like fretwork, while others have engravings down the entire blade. Although the kampílan can be used with one hand, it is primarily a two-handed sword. At times the hilt was bound to the hand by a talismanic piece of cloth to prevent slippage. Sometimes a chain mail covering was attached to prevent the hand from injury. Almost all kampílan originally had large metal staples protruding from the cross guard above the grip. Hilts were made of hardwood, but expensive examples that belonged to datus are covered in silver sheet or are entirely manufactured of expensive materials such as ivory or bone.

The laminated steel blade of the kampílan is single-edged, and made from an Arabic pattern-welding process and is easily identified by its tapered profile, narrowest near the hilt and gently widening until its truncated point. The blade’s spikelet has led to the description of the kampílan in some documents as “dual-tipped” or “double-tipped”.

The scabbard is usually made of cheap wood and is bound with simple rattan or fibre lashings. When the sword needs to be used immediately, the sword bearer will simply strike with the sheathed sword and the blade will cut through the lashings, thereby effecting a quick, tactical strike without the need to unsheathe the sword.

Scabbards are unadorned and are often disposable when going into battle. Some scabbards were also made of bamboo or were made with a handle that allowed half of the scabbard to serve as a small shield.

The hilt is quite long in order to counterbalance the weight and length of the blade and is made of hardwood. As with the blade, the design of the hilt’s profile is relatively consistent from blade to blade, combining to make the kampílan an effective combat weapon.

The complete tang of the kampílan disappears into a crossguard, which is often decoratively carved in an okir (geometric or flowing) pattern. The guard prevents the enemy’s weapon from sliding all the way down the blade onto bearer’s hand and also prevents the bearer’s hand from sliding onto the blade while thrusting.

The most distinctive design element of the hilt is the Pommel, which is shaped to represent a creature’s wide open mouth. The represented creature varies from sword to sword depending on the culture. Sometimes it is a real animal such as a monitor lizard or a crocodile, but more often the animal depicted is mythical, with the nāga and the bakonawa being popular designs. Some kampílan also have animal or human hair tassels attached to the hilt as a form of decoration.

The kampílan is a weapon used for warfare, used either in small skirmishes or large-scale encounters. According to Philippine historical documents, the kampílan was widely used by chieftains and warriors for battle and as a headhunting sword.

whovenger-hiddlebatch-lock:

gloriouspondss:

i-am-martin-freeman:

jesuislegrandefromage:

themanwithadashingsmile:

theparadoxsurvivor:

metatheta:

#nonononononono let me hug you please

In moments like these, I think he’s reflecting the pain of all of the regenerations from his past. 

You have to remember, Eleventh is essentially the aftermath of Tenth. The various incarnations of the Doctor always reflect what had destroyed the previous incarnation.

Tenth had allowed himself to get too human. He had formed romantic relationships with his companions and was a far more emotional Doctor than previous versions.

Eleventh reacted by alienating himself from those around him instead. He doesn’t let people see his feelings. Eleventh does all he can to make people laugh, and to make people think he truly is “always alright”.

All of the above, yes.

The Doctor started as an almost grandfatherly character when we’re introduced to him. He takes people under his wing, takes responsibility for those who travel with him because they’d never get into the messes he encounters if they hadn’t decided to hop on board the TARDIS and go on a journey. He has accidental travelers, stowaways, the whole range of them, and he simply cares for them and makes sure they’re fine. But then there’s more. The Doctor has a family, has a granddaughter who travels with him and chooses a human love and life over an eternity of travel, sees appreciation in humanity over the stars that our dear Time Lord has always so adored, and so he works at it, to become the most humane person he can, only destroying his enemies when he needs to.

But the Time War changes him, as any war changes any soldier. He fights, not on the side of the Daleks or the Time Lords, but on the side of the rest of the universe, the one side nobody else wants to take, and in the process, he loses everything. In the New Who that most people are exposed to, we meet his ninth regeneration, one with a fierce defense mechanism when it comes to other people, but very little care for himself. He throws himself into the path of danger over and over, and it’s only sheer luck that he survives half the time. If Rose hadn’t been around, he would have gotten himself seriously injured or killed multiple times in that season. Nine hates Daleks with a passion, he is a man of fire and fury and the ability to burn through worlds, but love stops him, and he regenerates for love.

Ten comes into the scene, born of a kiss, and immediately in the Christmas Special we see him do something that we’re not accustomed to… sleeping, exhausted, and unable to help in their time of need. Of course he comes through at the end, he always does, but he’s distinctly human, recognizing which social habits are unacceptable in company, dressing smart, trying to impress a girl. He’s in love, and he forgoes his ability to roam around free throughout time and space because he’s found a tether, a lifeline of sorts, and when he loses it, he’s devastated. He fills the gaps the only way he knows how, drifting and lonely until he finds someone who’s willing to connect with him while still mourning for Rose. His emotional negligence drives away Martha, and he finds a fantastic friend in Donna, only to lose her as well. The realization occurs, in the end of all things, that everyone he interacts with becomes a soldier, just like he was, and that knowledge nearly breaks him.

Oh, but that’s not all, of course not. There was the one glimmer of hope, the Master’s return, the I’d-dare-not-have-hoped possibility that there was another Time Lord left, that he hadn’t caused the utter devastation of his race, that there was someone who might understand the kind of life he led. And so he allowed it, a year in captivity for the sake of knowing that his once-friend was still alive and well, even if he had to undo the damage, even if he had to use the power of humans (still always humans) to reverse time itself. And he cried when the Master died in his arms, begged him not to go, but as always, he was left behind. So he buried him and ran, only to find that burial hadn’t kept him down and even still he tried to reason with him, tried to make him understand that they could lead a life without the perpetual loneliness that plagued him, the constant guilt that might have been alleviated just a little to know that there was someone of his own kind that he may have been able to help, and that disappeared too. So he gave up. He gave up his life for the love of a friend who wouldn’t remember him, for Donna, because her grandfather was the dearest person left in her life. He left that life behind to turn into this, what you see above.

What you see above is Eleven. He’s the man who thinks he’s a monster, who is his own worst enemy. This is the Time Lord who is the stuff of his own nightmares, who is plagued by every guilt imaginable, whose only solace as a dying man was a little ginger girl that refused to stop believing in him, the only one he hadn’t done wrong by. Rule number one: The Doctor lies. And most of the time, it’s for your own good.

(Everyone should take time and read this.)

Absolutely worth the read and ohmygod

image

“Gratis tibi ago Beati pacifici”

ALL THE FUCKING AWARDS

That last paragraph, it’s amazingly put. While Eleven fights off external forces on a daily basis, his biggest battle is within.

Lovable Things → The smell of old books

Marvel Comics Meme: Relationships [4/7]
↳ Wanda & Pietro Maximoff

vylla-art:

Commission done for this lovely person.
Shower her and Miss America with hugs, just in general.

vylla-art:

Commission done for this lovely person.

Shower her and Miss America with hugs, just in general.

April 4th 1965.

thewicked-eternity